Tat’iana Dashkova: Telesnost’ – Ideologiia – Kinematograf: Visual’nyi kanon i sovetskaia povsednevnost’

Authors

  • Andrew Chapman Dartmouth College

DOI:

https://doi.org/10.17892/app.2017.0005.55

Keywords:

Soviet culture, visual culture, corporeality, fashion, hygiene, Stalin-era comedies, modernity, everyday life, canonicity

Abstract

Andrew Chapman´s review of the book

Telesnost’ – Ideologiia – Kinematograf: Visual’nyi kanon i sovetskaia povsednevnost’

by Tat’iana Dashkova

Author Biography

Andrew Chapman, Dartmouth College

Andrew Chapman (PhD, Russian Literature and Culture, University of Pittsburgh) is a Visiting Assistant Professor of Russian at the Dartmouth and formerly a Visiging Assistant Professor of Russian Studies at the College of William and Mary. He is currently working on his first monograph, titled Queuetopia: Allocating Culture/Imagining Abundance, which focuses on second-world cultural production of the Soviet period and how it was constructed through discourses of scarcity and abundance. In the context of digital media, Andrew devotes much of his research to questions of how amateur artists operate in the digital age. His research has appeared in KinoKultura, Studies in Russian and Soviet Cinemas and Studies in Slavic Cultures.  He also serves as a lead editor for Digital Icons [Chapman.drew@gmail.com]

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Published

21-12-2017

How to Cite

Chapman, Andrew. 2017. “Tat’iana Dashkova: Telesnost’ – Ideologiia – Kinematograf: Visual’nyi Kanon I Sovetskaia povsednevnost’”. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, no. 5 (December). https://doi.org/10.17892/app.2017.0005.55.

Issue

No. 5 (2017): Mise en geste. Studies of Gesture in Cinema and Art

Section

Reviews

License

Copyright (c) 2017 Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe

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