Caroline Damiens, A Siberian History of Soviet Film: Manufacturing Visions of the Indigenous Peoples of the North, trans. by Adrian Morfee.

Bloomsbury Academic. 2024. 304p.

Authors

  • Adelaide McGinity-Peebles University of Exeter

DOI:

https://doi.org/10.17892/app.2025.00020.383

Keywords:

Siberia, Soviet film, Indigenous Peoples, Yakut cinema, Sakha cinema, Chukchi film representation, Indigenous film studies, decolonising Russian film studies

Abstract

In A Siberian History of Soviet Film, Caroline Damiens explores how the depictions of the Indigenous ‘Peoples of the North’ in Soviet cinema and television evolved between 1920 and 1980. She combines a detailed analysis of key films with primary sources like press articles, archives, and interviews, to reveal how these cinematic portrayals were negotiated, emphasising the role of Indigenous individuals in shaping their cinematic image, both in front of and behind the camera.

Cover Image - A Siberian History of Soviet Film, Caroline Damiens

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Published

23-07-2025

How to Cite

McGinity-Peebles, Adelaide. 2025. “Caroline Damiens, A Siberian History of Soviet Film: Manufacturing Visions of the Indigenous Peoples of the North, Trans. By Adrian Morfee. : Bloomsbury Academic. 2024. 304p”. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, no. 20 (July). https://doi.org/10.17892/app.2025.00020.383.

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