No. 4 (2017)

View No. 4 (2017)

DOI: https://doi.org/10.17892/app.2017.0004

Published: 27-06-2017

Articles

Kino, tsenzura i vlast' v Peterburge-Petrograde 1890-1910-kh godov

Anna Kovalova, Viktor Semenov
- HTML (Русский)
K voprosu ob istochnikakh siuzheta romana Dvenadtsat' stul'ev

Victor Zatsepin
- HTML (Русский)
Jean-Luc Marion’s Postmetaphysical Phenomenology and Film. An Analysis of 4 Months, 3 Weeks, 2 Days and Ida

Raoul Eshelman
- HTML
Notes on Sincerity in Russian Auteur Cinema of the 2010s

Irina Souch
- HTML

Interviews

Toward Poetics of Authenticity. The Hope Factory and the New Wave of Russian Women Filmmakers. A Conversation with Natalia Meshchaninova

Oksana Chefranova
- HTML

Reviews

Richard Wortman: Visual Texts, Ceremonial Texts, Texts of Exploration: Collected Articles on the Representation of Russian Monarchy

Florian Olbrich
- HTML (Deutsch)
Owen Hatherly: The Chaplin Machine. Slapstick, Fordism and the Communist Avant-Garde

Victor Zatsepin
- HTML (Русский)
Steven S. Lee: The Ethnic Avant-Garde. Minority Culture and World Revolution

Hanin Hannouch
- HTML
Renate Hansen-Kokoruš (ed.): Facing the Present. Transition in Post-Yugoslavia. The Artists' View

Ava Mirković
- HTML
Gelencsér Gábor: Forgatott könyvek. A magyar film és az irodalom kapcsolata 1945 és 1995 között

Adrián Bene
- HTML
Jeffrey Geiger and Karin Littau (eds.): Cinematicity in Media History

Andrew Behrendt
- HTML
Оксана Булгакова: Голос как культурный феномен

Денис Ларионов
- HTML (Русский)