Philip Cavendish: The Men with the Movie Camera. The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s

Authors

  • Mario Slugan

DOI:

https://doi.org/10.17892/app.2015.0001.3

Keywords:

Eduard Tisse, Sergei Eizenshtein, Anatolii Golovnia, Vsevolod Pudovkin, Andrei Moskvin, Leonid Trauberg, Grigorii Kozintsev, Danilo Demuts’kii, Oleksandr Dovzhenko, Aleksandr Granovskii, Mikhail Kaufman, avant-garde, cinematography, cameraman

Abstract

Mario Slugan`s review of Philip Cavendish`s book 

The Men with the Movie Camera. The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s

Downloads

Published

15-06-2015

How to Cite

Slugan, Mario. 2015. “Philip Cavendish: The Men With the Movie Camera. The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s”. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, no. 1 (June). https://doi.org/10.17892/app.2015.0001.3.

Issue

No. 1 (2015)

Section

Reviews

License

Copyright (c) 2015 Apparatus, Mario Slugan

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The articles in Apparatus are published under https://creativecommons.org/licenses/by/4.0/ This license does not apply to the media referenced, which are subject to the individual rights owner's terms.

The authors hold the copyright without restrictions and retain publishing rights without restrictions.