Three Dimensions of Archive Footage. Researching Archive Films from the Holocaust
DOI:
https://doi.org/10.17892/app.2016.0002-3.51Keywords:
Holocaust, film, footage, archive, archive image, visual memory, historiographyAbstract
Archive footage from the Holocaust is an ambivalent source. Hence, specific ways of ‘reading’ this footage are required that analyse the specific content, review the context of its production, and also take into account the circulation and appropriation of the footage in visual culture and correspondingly examine its changing status. By reviewing particular footage from the Warsaw and the Theresienstadt ghetto the article delineates an approach to analyse these three dimensions of archive footage and correspondingly proposes a specific historiography of archive films from the Holocaust.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2016 Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe
This work is licensed under a Creative Commons Attribution 4.0 International License.
The articles in Apparatus are published under https://creativecommons.org/licenses/by/4.0/ This license does not apply to the media referenced, which are subject to the individual rights owner's terms.
The authors hold the copyright without restrictions and retain publishing rights without restrictions.
